In 1989, at the time the Berlin Wall came down, a young punk-rock band called WIZO was recording their first seven-inch-EP in a smelly little basement studio on the dark side of Stuttgart, Germany. The songs on this record, three pieces of hyperkinetic punkrock, soon became hymns for a whole young generation of punkrockers in Germany. Punkrockers,who were just like the guys of WIZO themselves:

Growing up with seventies Brit-Punk, early-eighties political punk bands from Germany such as Slime, Hass or Razzia, bored by the arrogance of straight-edge-U.S.-Hardcore and sick of all those bands, that started out as punkbands and then tried to sound like Guns